Movies beginning with the letter "D"
Deep Impact
Dungeons & Dragons
Dunston Checks In
WARNING:Proceeding beyond this point means you're willing to look at all of the reviews in NO particular order... if you wish to see them alphabetically, I suggest you return to the top of the page and click on the movies you wish reviewed...
Dungeons & Dragons
In the early 1970s a game was created -- not played on a board, but in the imagination. The first interactive game, where the players helped to tell the story. That game was Dungeons & Dragons. Set in a fantasy world, anything and everything could and did happen. I have fond memories of playing it with my brother when we were younger, and with my best friend as a teenager, and with some other friends as a young adult. While I never progressed much beyond the "Hack and Slash" aspect of the game, it was a time I remember with great fondness.
Now computer games are the hot commodity, and to its credit, D&D holds its own even in the computer market -- Baldur's Gate and its sequel are among the top selling games in recent history, and the upcoming Neverwinter Nights promises to push the envelope even further, allowing people to create their own environments in the game. Still, the imagination-played D&D is as popular as ever, having recently launched a 3rd edition of the game.
In late 2000, New Line Cinema released a motion picture set in the Dungeons & Dragons game world. In this movie starring Justin Whalin, Jeremy Irons, Bruce Payne, Marlon Wayans, Zoe McLellan, Thora Birch, and Kristen Wilson, we are taken to a far distant world where magic and dragons are very real.
There's the film's first obstacle -- fantasy equals "ewwww ick" for a lot of people. While I have always enjoyed D&D, I admit to being somewhat elitist (until a couple of years ago, that is) in my reading and film watching. Sure, I liked Beastmaster, but the word of the day was "hokey", even back then.
And that's the film's second obstacle -- fantasy often equals hokey plot. In a movie set in a contemporary world, setting doesn't take much explanation at all. A writer can say "Denver" and people know exactly where it is. In a fantasy (and science fiction) setting, the economy and political structure must be explained, and for some of the more complex stories that can take quite a bit of time. The plot then gets rushed (or the explanations are skimmed over, leaving a bad taste in the mouth of the viewer), and "hokey" comes into the brain and out of a reviewer's fingers.
This second obstacle, I feel Dungeons & Dragons overcomes quite well. In fact, I would dare say that if you've never played the game, this movie will be a good introduction to it. The overall plot is that the evil Mage Profion (Irons) wants to take over the empire of Izmer, and a thief named Ridley (Whalin) tries to stop him by getting his hands on a magic rod that can control red dragons. The problem is that Profion also wants this rod and sends his henchfreak Damodar (Payne) to get it -- and kill Ridley.
The movie is what can typically be referred to as a "campaign" in the game. The overall setting. The ultimate goal. Each obstacle that Ridley and his companions must overcome can be played as adventures that further the campaign. Treasures and experience are acquired, characters will fall along the way, new friends will be made... a campaign can truly be a living entity unto itself.
One of the things I liked about the movie is that the actors all went for it with everything they had. Justin Whalin runs the gauntlet in emotional range, going from cocky to chivalrous, to devastated, doubting himself and his purpose, to righteous fury. Jeremy Irons is deliciously over the top as Profion, and Bruce Payne is eerie in his understatement. Marlon Wayans provides comic relief as Ridley's longtime partner Snails, and Zoe McLellan is refreshing as the naively indignant Marina.
Some genuine surprises surface in the way of plot, there are some good lessons even for life on *this* world, and the special effects are actually quite good. All in all, if you like the game of Dungeons & Dragons, or are even curious about it, you may very well enjoy this movie. If you're anti-fantasy, then I can't help you.
This movie is rated PG-13 for fantasy action violence.
SCORE: 7.3 -- A fun romp through a fantasy world of magic and dragons. Takes itself a little seriously, but the acting is over the top, which makes up for it. An engaging plot with some nice (and some gleefully evil) characters and good action makes for a good time. Recommended for action and/or fantasy fans.
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Deep Impact
It's very hard to put my feelings for this movie into words. On the one hand it's a moving, emotional film with some excellent performances, teamed with heart-stopping action and brilliant special effects. On another hand, its lack of realism and its optimistic view of "armageddon" (apologies for using the rival meteor flick, but I haven't a better word for it) leaves a bad taste. Still, I have trouble deciding which really wins out. Therefore, I beg forgiveness if this review does not make much sense.
A startling discovery: A reporter investigating the sudden "resignation" of a prominent U.S. Senator stumbles upon "ELE", which she mistakes for a mistress of the president. She learns instead that it's actually an acronym: Extinction Level Event. When confronting the President (Morgan Freeman) about "ELE", he calls a press conference to tell the American people of an impending disaster. A comet has been discovered on a collision course with the earth, due to impact in less than a year.
Measures to counter the threat are taken, but fail. A lottery is held to ensure the survival of the human race. Two million people are scheduled to live for two years in a cave dug into a mountain.
Deep Impact stars Freeman, Robert Duvall, Tea Leoni, Elijah Wood, Vanessa Redgrave, and a slew of others in what can only be termed an epic dramatic thriller. Action is tempered with heart-pulling drama (and vice versa) so that neither one overshadows the other. Sacrifices are made for others, childhood issues are resolved, love triumphs over fear. This movie idealizes the end of the world.
Therein lies a problem with the premise. How would people really react to the probability of annihilation? I doubt it would be with the calm stoicism this film portrays.
Something else I found lacking: Elijah Wood's character. Now, I think Wood is one of the better actors out there (right behind his Radio Flyer costar Joseph Mazzello), and HE didn't disappoint this time out. My problem was that after his initial discovery of the meteor, Leo (scoff scoff) didn't have much else to do in the film. He marries his sweetheart Sara in order to ensure her family's place in the cave, and when the government doesn't follow through, he rushes back home to find her. This has nothing to do, really, with the issue at hand. Perhaps I'm being picky -- after all, this could be the "what about the discoverers?" segment of the overall story. I mean, we see how the president deals with the disaster, we see how the newscasters are affected (both in their personal and professional lives), we get to watch the valiant astronauts' efforts to save everyone. Why NOT show how the person who discovered the blamed thing is affected later on? I just felt that if Leo (incidentally, that's the name of Elijah's character here...) was not shown again after the astronomy club sequence at the beginning, it would not have made much impact in the final film (forgive the pun).
"Oceans Rise. Cities Fall. Hope Survives." A powerful message. A powerful film. See it.
This movie is rated PG-13 for thematic elements and language. Parental Guidance suggested.
SCORE: 8 I warned that the review would not make much sense, and despite my somewhat negative portrayal of the film, it is rather good. I enjoyed all the actors, and though I myself don't believe it would be so calmly accepted, you can believe that THESE people accept the impending doom the way they do. Edge-of your seat action sequences... Tear jerking moments you won't soon forget. Recommended!
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Dunston Checks In
They didn't believe him when he saw ghosts (Heart & Souls), they didn't believe him when his dad became Kris Kringle (The Santa Clause ), so why should they believe there's a monkey in the building? I refer, of course, to Eric Lloyd, the cute little star of this hilariously entertaining movie, which also stars Graham Sack, Faye Dunaway, Rupert Everett, Paul Reubens, and Seinfeld's Jason Alexander.
Lloyd plays Kyle, the younger son of a hotel manager-- but not just any hotel, the five-star Majestic. When he and his brother Brian are "grounded" for pulling a prank that went awry, Kyle discovers an abused orangatan hiding out in the hotel. The simian, named Dunston, has been brought there by Lord Rutledge (Everett) as part of a jewel theft operation. Dunston is hiding after having escaped captivity. He befriends the bored little boy, and mayhem ensues, especially since Mrs. Dubrow (Dunaway), the owner of the hotel, is hosting the Crystal Ball, the most elite gala event the social scene has ever seen. The plot thickens as it is discovered that the ratings commission is considering awarding a sixth star, and has a "mystery guest" staying for the Ball.
La Farge (Reubens, on a remarkable comeback into show business), is called in when the boys' father (Alexander) spots Dunston. La Farge is an exterminator, and he's bent on destroying the poor monkey. There's a problem with that equation, though. Dunston is much smarter than La Farge is...
Most of the jokes in Dunston Checks In are visual-- it's a very slapstick movie. And 95% of them work. Also, even though the movie is geared mainly toward kids, that doesn't mean grown-ups can't enjoy it too! I laughed uproariously throughout the movie. (Of course, if you ask my mother, she'll tell you I never grew up, so maybe that wasn't a good example...*grin*)
To get back on topic, though, Eric Lloyd is going to be a child actor to watch. He's had a good start, working with the talent of Alfre Woodard and Kyra Sedgwick in Heart & Souls, and the comic expertise of Tim Allen in The Santa Clause. The two translated well in this movie. He's developing a style of his own that, given time and quality scipts, should blossom nicely.
As for the other performances, Dunaway is absolutely frightening, and though I don't particular like him, Alexander puts on a nice show. Reubens, unfortunately, got the short end of the stick in this film. I thought his character could have been acted a little bit better. Maybe the problem was that he didn't have a character, so there wasn't anything to work with. One treat was Glenn Shadix (Beetlejuice and Heathers) as the unpleasable Lionel Spalding. I can't say I enjoyed Everett at all. I found his performance to be forced and, at times, monotonous. He and Reubens's character are the reasons this movie wasn't a 10 for me.
This movie is Rated PG for mild violence and language. Appropriate for most audiences, but parental discretion is advised.
SCORE: 8 One of the most hilarious films I've seen in some time. Unfortunately, the one-dimentional La Farge and annoying Everett dragged it where it didn't need to go. On the plus side, Eric Lloyd's combination of cute and talented lifted it whenever he was on screen. Dunston's adventures were also hugely entertaining. Seriously Recommended!
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